
Executive Director: Lina Dzuverovic
Lina Dzuverovic is the co-founder and Director of Electra. She is also currently one of the two curators
(with Stina H¿gkvist) of Momentum, the Nordic Biennial (which will open in Moss, Norway in August 2009).
Lina was named the 2006 DeciBel Mid-Career Curatorial Fellow by Arts Council England. Formerly she was New
Media Curator at London's ICA, and prior to this she worked for The Wire magazine, Mute magazine, The Lux
Centre and Pandaemonium Festival.
Projects she has commissioned, produced and realised with Electra include
Art Now Live (Tate Britain, 2007), the film/performance Perfect Partner by Kim Gordon, Tony Oursler and Phil
Morrison (Barbican Centre, 2005), group exhibition Her Noise (South London Gallery, 2005), Sound And The Twentieth
Century Avant Garde lecture series (Tate Modern, 2004), soundtrack consultancy on films by Daria Martin, working
with composers Zeena Parkins and Maja Ratkje respectively, Sounds Of Christmas installation by Christian Marclay
(Tate Modern, 2004),Emotional Orchestra and Sheer Frost Orchestra by Marina Rosenfeld (Tate Modern 2005/06),
and Once Seen video programme for The British Council (Oslo and Troms¿, Norway, 2004).
Co-Director & Production Manager: Irene Revell
Irene Revell has a BA in Physics, but came to the contemporary arts professionally after a long involvement in the
DIY music community. She worked for various small organisations including IMPRO, COMA (Contemporary Music-Making
For Amateurs) and Share Music before joining Electra in 2004. She most recently produced and co-curated The Wire
25 season, and has managed the delivery of all Electra produced projects over the past 4 years.
Marketing Assistant and Web Editor: Sinéad McCarthy
Sinéad McCarthy has a BA in Fine Art and History Of Art and is currently in her second year studying MFA
Curating at Goldsmiths College. She has worked for commercial galleries in London, as an editorial
assistant and on artist led projects I And Me at Studio Voltaire (2005), and With at the ICA and The Hayward
Gallery (2006). Sinead is specifically interested in time-based art and music. Her current projects Dislocation and
Feedback investigate miscommunication, role playing and disembodied sound.
Curatorial Assistant: Fatima Hellberg
In parallel to working at Electra, Fatima Hellberg is Editor of the contemporary arts magazine Chapter 8 and
contributor to White List and Van Gogh Journal. Since graduating with a BA in the History of Art from Oxford
University (2008) she has worked as Project Assistant at the Frieze Art Fair and Portavilion Projects, Exhibition
Guide for the Carnegie Art Award and been contributor to the Favoured Nations Catalogue for the Nordic Biennial, 2009.
She has also organized and moderated the panel discussion "Who can afford to be an art worker?" at the Arnolfini,
Bristol and been contributing writer of the catalogue for Matthew Darbyshire's Dysfunctional Funhouse, The Hayward.
In September 2009 she will begin the Curating Contemporary Art MA at the Royal College of Art.
Lizzie Carey-Thomas, Curator, Tate Britain
Lina Dzuverovic, Executive Director, Electra
Christian Marclay, Artist
Daniel McClean, Lawyer and Curator
Anne Hilde Neset, Deputy Editor, The Wire Magazine
Irene Revell, Co-Director and Production Manager, Electra
Lisa Rosendahl, Director, Baltic Centre, Visby, Sweden