Director: Irene Revell
Irene Revell joined Electra in 2004 and has played a key role in the development of the organisation, becoming Director in 2011. Over this time she has particularly focused on the development of the Her Noise Archive, now an ongoing collaboration with CRiSAP (Creative Research into Sound Arts Practice, London College of Communication, UAL), and most recently manifesting in the series Her Noise: Feminisms and the Sonic (2012, Tate Modern).Irene has taken part in conferences, talks and panels at venues including the ICA, Tate Britain and Barbican Centre, and she contributes writing to The Wire magazine. She is also a member of the Cinenova Working Group, preserving the work of the Cinenova women's film and video distribution, and taught as part of the Group Affinity summer school at Kunstverein Munich, 2011. She has a degree in Physics and Masters degree in Women's Studies, and came to the arts professionally after an involvement in DIY music communities.
Curator: Fatima Hellberg
Fatima Hellberg is a curator and writer and has since 2009 worked at Electra. She has curated and/or co-curated projects in the UK and internationally including Otherwise Unexplained Fires (Malmö Konsthall, Sweden), Charming for the Revolution (The Tanks at Tate Modern), From Below, as a Neighbour (Drugo More, Croatia) and Constitution of the Damned (Landings, Oslo) and worked with amongst others, Carlos Motta, Pauline Boudry/Renate Lorenz, Will Holder and Želimir Žilnik. She has contributed to Afterall, Frieze, Kaleidoscope and various independent publications and participated in talks and conferences at venues including the Serpentine, Tate Modern and the Arnolfini. Other recent projects include work as project manager for Frieze Projects and researcher for Transzit, Manifesta 8. Fatima has an MA in curating from the Royal College of Art and a BA in Visual Culture from Oxford University.
Web Editor: Holly Ingleton
Holly Ingleton is a creative practitioner and researcher, investigating feminist discourses in sound and experimental music, who first joined Electra as an intern on the Her Noise Archive in 2010. The Her Noise Archive, which has recently been acquired by the University of the Arts London, is now included on the BA and MA Sound Arts syllabus. Holly's role since August 2010 has been to re-archive the entire Her Noise program from 2001 to 2010, for both the purpose of making this pioneering work accessible as a study resource and also as an instrumental aspect of Holly's ongoing PhD research into subjective economies in UK based electroacoustic arts, at City University's Department of Music.
Prior to commencing her PhD, Holly gained a BA in Sonic Arts from Middlesex University and an MA in Public Arts from RMIT in Australia and is currently Electra's web editor.
Lizzie Carey-Thomas, Curator, Tate Britain
Max Dixon, Independent consultant town planner, noise & soundscape specialist
Lina Dzuverovic, Curator at Calvert 22, and Electra Founder
Christian Marclay, Artist
Daniel McClean, Lawyer and Curator
Anne Hilde Neset, Deputy Editor, The Wire Magazine, and Electra Founder
Paul Pieroni, Artist and Exhibitions Programme Manager, Space
Irene Revell, Director, Electra