EXECUTIVE DIRECTOR: Lina Dzuverovic
Lina Dzuverovic co-founded ELECTRA in May 2003 (wih Anne Hilde Neset) and has been running it since. She has been named the 2006 deciBel Mid-Career Curatorial Fellow. Formerly Lina was New Media Curator at London's ICA and prior to this she worked for The Wire Magazine, Mute Magazine, The Lux Centre for Film, Video and Digital Art and the Pandaemonium Festival Of The Moving Image. Recent projects she has commissioned, produced and realized with ELECTRA include a film/performance commission 'Perfect Partner' by Kim Gordon, Tony Oursler and Phil Morrison (Barbican Centre), group exhibition 'Her Noise' (South London Gallery), 'Sound And The Twentieth Century Avant Garde' lectures (Tate Modern), soundtrack consultancy on films by Daria Martin, working with composers Zeena Parkins and Maja Ratkje respectively, 'The Sounds Of Christmas' installation by Christian Marclay (Tate Modern), 'Emotional Orchestra' and 'Sheer Frost Orchestra' by Marina Rosenfeld (Tate Modern), 'Once Seen' Programme for The British Council (Oslo and Tromso, Norway). Lina also regularly writes for contemporary art and music magazines and her writing has appeared in Artforum, Contemporary, Mute, The Wire and Res Magazine.

ACTING DIRECTOR: Lisa Rosendahl
Lisa Rosendahl is a curator and writer. She was the Director of Exhibitions at Lisson Gallery in London until 2006. Forthcoming exhibitions include 'Terms of Use' at Centro Cultural Montehermoso (Vitoria, Spain) and OPEN CALL at Röda Sten Cultural Association (Gothenburg, Sweden). An essay of hers is included in the anthology 'The Trials of Art', published by Ridinghouse Editions in London in 2007. As well as working for ELECTRA, Lisa is an Associate Curator at Röda Sten in Gothenburg during 2007-8, producing an ongoing programme of exhibitions and events together with Henrik Andersson and Fredrik Svensk. She contributes regularly to the cultural page of the daily Swedish newspaper Sydsvenskan.

PRODUCTION MANAGER: Irene Revell
Irene Revell has a BA in Physics, but came to the contemporary arts professionally after a long involvement in the DIY music community. She worked for various small organisations including IMPRO, COMA (Contemporary Music-Making for Amateurs) and Share Music before joining ELECTRA in 2004. She most recently produced and co-curated The Wire 25 Season, and has managed the delivery of all ELECTRA-produced projects over the past 3 years.

INTERN AND WEB EDITOR: Sinead McCarthy
Sinead McCarthy studied a BA Fine Art and History of Art and is currently in her first year studying MFA Curating at Goldsmiths College. She has worked for commercial galleries in central London, as an editorial assistant and on artist led projects 'I and Me' at Studio Voltaire (2005), and 'With' at the ICA and the Hayward Gallery (2006). Sinead is specifically interested in time-based art and music. Her current projects 'Parallel Lines' and 'Feedback' investigate mis-communication, role-playing and negotiation over distance.
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CO-FOUNDER: Anne Hilde Neset
Anne Hilde Neset is the Deputy Editor of The Wire magazine and is the co-founder of ELECTRA (with Lina Dzuverovic). Apart from regularly contributing to and developing the magazine, she has undertaken curatorial projects, the most recent ones being 'Her Noise' group exhibition (South London Gallery, film/performance commission 'Perfect Partner' by Kim Gordon, Tony Oursler and Phil Morrison (Barbican Centre and international tour) and 'The Sounds Of Christmas' installation by Christian Marclay (Tate Modern). She has also worked with Daria Martin as a music consultant developing soundtracks by Zeena Parkins and Maja Ratkje, as well as devising and teaching 'Sound And The 20th Century Avant Garde', a lecture series on sound art (Tate Modern).
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ELECTRA was founded by Lina Dzuverovic and Anne Hilde Neset in May 2003