CHRISTIAN MARCLAY: THE SOUNDS OF
CHRISTMAS
Tate Modern, North Lawn, London
10-22 December 2004
The Sounds of Christmas is an annual project by Christian Marclay,
pioneer of the experimental turntable movement and leading artist
operating at the intersections of art and music. Reinventing this
work-in-progress for London, the artist will present his collection of
over 1,200 Christmas records as a publicly accessible archive, alongside
projections of the record covers and footage of previous performances
(exhibition open 10-22 December during gallery hours).
During the two-week installation, co-produced by Electra and Tate
Modern, noted DJs
will create live remixes of their own selection from Marclay's Christmas
records. These recorded performances will create a soundtrack for the
space. Combining blatant sentimentality with vanguard experimentation,
Marclay suggests that the categories distinguishing 'serious' music from
its opposite are both arbitrary and arcane.
PERFORMANCES:
Friday 10 December, 20.30-22.00
Christian Marclay
Matt Wand
Saturday 11 December, 20.00-22.00
Strictly Kev (DJ Food)
Paul Hood (Resonance FM)
Friday 17 December, 20.00-22.00
Matt Black (Coldcut)
Bohman Brothers
Ergo Phizmiz
Saturday 18 December,20.00-22.00
Janek Schaefer
People Like Us
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TALKS & WORKSHOPS
Saturday 11 December 2004, 18.30, Starr Auditorium, Free
Christian Marclay in Conversation with Rob Young
Christian Marclay discusses his project The Sounds Of Christmas in
conversation with Rob Young (Electra, The Wire Magazine)
___________
Wednesday 15th December 2004, 17.00, Marclay Pavilion, Free
Creative Archive: Creative Content In The Public Domain
Paul Gerhardt, Strategic Director, Creative Archive, BBC in conversation
with Lina-Dzuverovic (Electra)
In the midst of the plunderphonic universe of Christian Marclay's
'Sounds Of Christmas,' Paul Gerhardt discusses the significance of
archives in the creation of new artistic content.
The TV and radio archives of the BBC and other broadcasters represent a
huge untapped source of creativity. New developments in technology and
in attitudes to rights could be the keys to tapping into that resource.
The BBC is leading the way with a pilot initiative, the Creative
Archive. If successful, it would help to transform the BBC's
relationship with its audiences by moving beyond broadcasting to the
sharing and co-creation of content.
___________
Saturday 18 December 2004, 12.00 - 15.00, Marclay Pavilion, Free
LektroLAB - Plunderphonics/Sound Collage DJ Workshop
This workshop covers aspects of DJing which look beyond the standard set
of dance-music oriented techniques: mixing disparate music styles,
turntable manipulation, controlled feedback, improvising, locked grooves
and generally all things 'outside the box'. This workshop is for all
skill levels and anyone with an interest in exploring a more creative
side of DJing.
The workshop is led by LektroLAB's Paul B. Davis and Emma Davidson:
Paul B. Davis was a classically trained harpsichordist who co-founded
the BEIGE record label/art collective. B Davis pioneered the use of
hacked Nintendo Entertainment System cartridges as an artistic medium,
created BEIGE's first Nintendo artworks and produces the music for his
band The 8-Bit Construction Set. His music has also appeared on Matthew
Herbert's Soundslike label and in Nike and Benihana commercials.
Performing as 'DJ Spin-Laden,' he is the only DJ ever to get thrown off
stage at the Technics/DMC World DJ Championships.
Emma Davidson's debut album 'I Love My Computer' was released on the
Aphex Twin's Rephlex label under the name Lektrogirl: 'I Love My
Computer...playfully sifts through yesterday's electronic ephemera'
(NME). Since then the Tasmanian native has kept busy with performances
across Europe and as a director of chip-music label/collective
MicroMusic, recently name-checked by Malcolm McLaren as 'the final
repository of the marvelous'. She co-founded the LektroLAB series of DJ
workshops and events.
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The Sounds Of Christmas is co-produced by Electra and Tate Modern
Supported by 

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